MA DISSERTATION, UNIVERSITY OF MANCHESTER, 2024My research explores how, in the last decade, Risograph printing has shifted from an obsolete institutional technology to an identifiable visual language, and what this shift signifies about our current political climate. I examined Risography through three distinct theoretical frameworks in order to present its idiosyncratic ability to form communities and facilitate queer future-making.
I have presented this research at Queer Intersections Oxford with Oxford University and as part of Meaning in Multiples with NCAD, Dublin. The slides and photographs are from those presentations. If you would like to find out more about this research, please get in touch.